Oops, I redid it

This work depicts the repetition of patterns of emotional domination and the instrumentalization of relationships through a composition in which various figures and symbols construct a narrative of attachment marked by control and abandonment. The layered lines, the female figure holding two silhouettes on a leash, the completely scribbled-on calendar, the puppet with a pierced heart, the face surrounded by question marks, and the figure covered in blue—all graphically embody the manipulation, erasure, suffering, and incomprehension that accompany a destructive relationship cycle. By contrasting the repetitive elements of the composition with the marks left on the various figures, the work captures how the repetition of the same pattern gradually transforms individuals into witnesses to emotional violence that has become almost mechanical.