Freeing humans from the matrix is my goal.

In my artistic approach, I explore the impact of our environment's multiple wefts on the human being and on our ability to adapt to a world in perpetual mutation. From this perspective, I question our ability to preserve our inner child, that creative, naïve and free force that enables us to welcome change with curiosity rather than fear. I see the human being as an adventurer, a contemporary warrior, capable of going through these transformations. The characters I create, equipped with helmets and biomechanical armor, embody this resilience and capacity to adapt. At the same time, my research is rooted in the idea that water possesses a memory, capable of preserving vibrations and generating cymatic forms. This vision has given rise to the poetic image of "water learning to walk". Every creative intention becomes vibration, transmitted to the pictorial material, which takes on energy and guides the composition. Aesthetically, my work lies somewhere between realism and abstraction, in a figurative style that captures the human essence while opening up to interpretation. My influences range from classical painting and ancient architectural symbols to animation and cartoon culture, which introduce a playful, ironic dimension. Through this process, I seek to draw a metaphorical portrait of present-day humanity, oscillating between humor and discomfort, memory and transformation.