The day before

'Veille'' is a structural work where material itself becomes a language. Mortar, black sand, and pigments form a dense, almost geological surface marked by silence and depth. The metallic leaf, partially revealed, acts as a restrained light—fragile yet persistent—suspended within darkness. The work evokes a state of latency: the moment just before awakening, when everything remains still but filled with potential. Resin seals this suspended moment, while ink and acrylic introduce subtle movement and breath. *This work fits perfectly with 'Éveille' as shown in the photos.