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About this mural

Mural by Waxhead is a work by Waxhead, catalogued among our urban murals in a street-art style. The photograph is shown without an interior mock-up so the work can be viewed in its real context.

Why this mural

Street art turns an ordinary surface into a shared landmark. The work catches the eye, makes the place memorable and creates a meeting point between the artist and the public.

Original mural artwork

Mural by Waxhead

A work by Waxhead

UrbanStreet-Art

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L’Original editorial perspective

Waxhead, a mural practice rooted in place

This work brings together a street-art vocabulary and a urban approach. Its value does not come from applying decoration to architecture: the mural gains meaning through its scale, its surface and the way it is encountered in a real place.

Active since ~2012 · Neighborhood: Plateau-Mont-Royal Waxhead paints walls. Here, there, wherever a surface awaits him. Hidden within the absolute brevity of this statement lies total freedom—that of an artist who needs no grand declarations to exist, only a surface, a gesture, and the road leading to the next wall. "I love painting walls around the world." Active in the Plateau-Mont-Royal neighborhood since around 2012, Waxhead has developed a nomadic mural practice driven by a hunger for new surfaces and contexts. His international presence reflects a boundless curiosity and a visceral attachment to the act of painting for its own sake—independent of location, audience, or the prestige associated with a site. In a field where personal communication, branding, and storytelling have become as significant as the artwork itself, Waxhead chooses to let the wall speak for him. This understated approach is a deliberate stance: it asserts that a painting need not justify itself through a conceptual agenda to hold value, and that the joy of painting is reason enough. This economy of words contrasts with the generosity of a practice spanning multiple continents, a consistent presence at Montreal graffiti events, and an artistic trajectory that relies on no institutional narrative. A rare and precious freedom.

Waxhead, whose practice is connected with Montreal, develops a visual world that can be followed from one wall to another. Captions and archives connected to this body of work document several mural interventions. These points of reference place the image within a practice rather than treating it as an isolated visual.

Written by

Dorian Verdier

Founder of L'Original · HEC academic author on the democratization of art

Dorian Verdier founded the first gallery of its kind in North America and has spent ten years making original art accessible. His academic work at HEC focuses on the democratization of art, the same conviction that guides every collection on L'Original.

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